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A NEW SOLO UPRIGHT BASS AND VOCAL RECORDING OF “I SAW YOU” FROM THE 2025 HARVEST FESTIVAL FUNDRAISER SHOW IS NOW STREAMING ON ALL PLATFORMS. CLICK HERE TO LISTEN ON APPLE MUSIC OR CLICK HERE FOR SPOTIFY

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Bio

“Whether you regard him as an acoustic singer-songwriter, a soulful vocalist, or a superb and innovative bassist, his talent is undeniable” - Time Out Magazine

John Lester is an award winning singer-songwriter-bassist from the San Francisco Bay Area who has, throughout his career, had one foot in the folk/rock/acoustic music scene and the other in jazz and improvised music. He has six albums to his credit, first releasing Live at The Freight and Salvage back in 2001. His latest album, Fathers and Sons, is a collection of his most personal and powerful work yet. Inspired by the often unspoken family relationships between men, each song messages the love, pain, tension, struggle, and questions that arise and confound these ties and bonds. From the full acceptance and embrace of a young boy’s gender fluidity in “The Beautiful Princess of Never Come True”, to the merciful attempts at reconciliation with an estranged father during his final days in “The High Road”, to the feeling of forever growing family love in “Real, Real Love”, John’s life experience as a father, husband, son, teacher, and story teller is felt throughout each song as well.  

 

Great writing from local musician John Lester.”  - Rosalie Howarth (KFOG’s Acoustic Sunrise)

 

As a bassist John spent years as a side person and his talents on the bass have been utilized by such diverse artists as Nashville hit-songwriter Gretchen Peters, Concord Jazz Label’s Full Faith and Credit Big Band, folk-master Peter Rowan, modern acoustic troubabor Willy Porter, and punk rock’s poet laureate Patti Smith. He has been a featured artist at both European Bass Day and UK Bass Day, and has toured with fellow bass virtuosos Michael Manring and Steve Lawson. His experience as a musician brings a wide diversity to both his playing and writing styles.

 

“Lester’s USP is his supreme mastery of all possible variations of bass guitar, and his use of them as lead instruments. His understated virtuosity demands attention!”

- Maverick Magazine, UK

 

As a solo performer, John created a show singing his songs with only his 105-year-old upright bass named Sarah (after Sarah Vaughan, for her lovely vocal-like quality).  After years as a bassist in bands, John stepped onto the stage at an open mic at The Hotel Utah in San Francisco in the late 90’s and sang a little blues original with just his upright bass to back him up. The success of that experience, many years ago now, led to John continuing to develop his unique performances as a singer-songwriter-bassist. He has now toured throughout the US and Europe as a solo act.

 

“A gifted double bass player and a fine singer-songwriter with a rich smoky voice.”

-  Time Out London

 

While always centered around his voice and acoustic bass, John’s solo performances have grown to include his bass guitars, acoustic baritone and acoustic nylon string guitars, ukulele, and percussion. John also plays a custom Rick Turner acoustic/electric six string bass/guitar (pictured above) which enables him to play both fretless bass and fretted nylon string guitar parts simultaneously. As well as totally acoustic songs, John also utilizes a loop recorder to create live tracks for his more groove oriented songs and improvisations.

 

“Nice when a wonderful narrator like John Lester comes along, his voice suspending over the streamlines of his landscapes of sound.” - Westfälische Rundschau, Germany

As a writer, John was awarded the “Song of the Year Award” from West Coast Songwriter’s on two occasions, as well as winning “Best Jazz Song” and “Best Humorous Song”.

John continues to play solo singer-songwriter performances, duos with guest percussionist/drummers, jazz trios, and double-bill tours with Irish singer-songwriter Paul Tiernan. John has also recently started playing as bassist with the acoustic jam band “Pilgrims of Stoke” in the San Francisco Bay Area.

See the “Shows” page on this site for all upcoming performances.

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2026 SHOWS

Thurs, feb 12 - solo at “You are going to die” open mic - Lost Church, SF 8pm

I will be the featured artist at the very special “You Are Going To Die - Poetry, Prose, and Anything Goes” Open Mic at the wonderful Lost Church in San Francisco. This is a really amazing monthly event that is unlike any open mic I have ever been to. It is a space for grief and dealing with loss… and it’s much more uplifting than it sounds. I will be drawing from my repertoire playing tunes such as “They Come and They Go” and “The Heart of Our Family”. I am even going to play a song from the “Fathers and Sons” album that I have never sung live. Doors open at 7:30 (arrive on time if you want to sign up to share/perform). Show starts at 8pm. Advance tickets are highly recommended as this is a popular show. The Lost Church is at 988 Columbus Street, in San Francisco.

Thursday, march 5th - with pilgrims of stoke at Alices - Woodside, CA 5pm-7:30pm

I’m back at Alices restaurant on Skyline Boulevard for another jam with Pilgrims of Stoke. The band will feature guitarist/songwriters Nick Peters, Rob Morris, Tony Khalife and yours truly on bass, doing a few of my songs as well. Alices is at 17288 Skyline Blvd, Woodside, CA

JOHN Lester & Paul Tiernan

European Tour

March 12 through March 23, 2026

I’ll once again be joining Irish singer-songwriter Paul Tiernan for a double-bill tour of Germany, The Netherlands, and Switzerland. I’ve been working with Paul for 21 years now and it’s always such a pleasure to share the stage with him on what has become an annual tour. If you or anyone you know has an interest in attending one of the house concerts, please email me at info@johnlestermusic.com and I will put you in touch with the host. For tickets and venue information click on the links below.

March 12 - House Concert - Amsterdam, The Netherlands

March 13 - House Concert - Katwoude, The Netherlands

March 14 - House Concert - essen, Germany

March 15 - Kanapee - Hannover, Germany

March 18 - House Concert - Osnabruck, Germany

March 20 - kultur verein -appenzel, Switzerland

March 21 - House Concert - Berlin-freidenau, Germany

March 22 - klangwerk - schwerin, germany

March 23 - House Concert - Werl, Germany

Thursday, April 2nd - jettywave, half moon bay, CA 4pm-7pm

I’ll be back in the USA playing my home town gig! First Thursday’s are Locals Night at Jettywave and I’ll be doing three sets of original music with a few choice covers thrown in. There’s a 10% discount on craft cocktails, beer, and wine, as well as the delectable food from Gibraltar Gems. My guest percussionist is Daniel Berkman. Jettywave, 155 Broadway, Half Moon Bay (near the harbor).

saturday april 11th - bass bureaucracy at jupiter in berkeley, ca 7pm-10pm

I’m back at my favorite Berkeley venue, Jupiter, playing with my all basses and beats duo, Bass Bureaucracy. 3 sets of looped and improvised music. Guest percussionist tba. Jupiter is at 2181 Shattuck Avenue in downtown Berkeley.

Sunday, July 12th - Double-Bill House Concert w/Alexis Harte, El Granada, CA

Private House Concert with guitarist-singer-songwriter Alexis Harte. We will each play a set and also collaborate on some songs.

saturday july 18 - bass bureaucracy at jupiter in berkeley, ca 7pm-10pm

I’m back at my favorite Berkeley venue, Jupiter, with percussionist/multi-instrumentalist Daniel Berkman. We’ll each have lots of instruments and will have out loopers in sync to create improvised musical soundscapes as well as playing some of my more jazz/improv oriented songs. Jupiter is where I met my wife, Lisa, back on July 18, 2000, so we’ll be celebrating our 26th “Meet-aversary”. Come join us! Jupiter is at 2181 Shattuck Avenue in downtown Berkeley.

Songwriter showcase. Montara, CA 2024

Solo show at Alpaca Ranch House Concert Series, Montara CA 2025

Berlin House Concert w/Paul Tiernan - 2024

Berlin House Concert - 2024

Paul & I with our hosts Maya and Oliver

Opening for Willy Porter - Hopmonk Session Room, Novato, CA - 2024

Sitting in with Willy on “Dog and a Leash” and “Available Light”

This 1930’s Martin ukulele belonged to my grandfather (that I never met). Gifted to me by my uncle. The story of this instrument is told in my song “Everybody Loves Your Little Melody” from the Fathers and Sons album.

Jettywave (my hometown regular gig) - Half Moon Bay, CA

Windy day after show pic. Opening for Sean & Sara Watkins (of Nickel Creek) Pescadero, CA - 2024

Headed to a solo show with the gang!

Above: With the one and only KC Turner - Pescadero, CA - 2024

Right: John Lester “Jazz?” Quartet with Steve Rossi (left/drums), Frank Martin (middle/piano), & Tod Dickow (right/sax). Half Moon Bay Pumpkin Festival - 2023

Pedalboard (2023 version). Left to right: Line 6 Helix is my main multi-effects processor and instrument/vocal/drumpad signal router. Top row is then Acoustic Image two channel preamp (one for guitar channel, one for bass channel), then Effectrode Blackbird tube preamp. Bottom row center to right is 2nd expression pedal for Helix effects, sustain pedal (similar to sustain pedals on a piano), Boss RC-500 two channel stereo loop recorder, and expression pedal controlling loop recorder volume on channel 1.

The acoustic crew (2023) Left to right: 1930’s Martin ukulele, Kanile’a tenor ukulele (Hana), Taylor Mini GS steel string, nylon string guitar (Maria), Martin acoustic bass (Marty), and 1920’s German upright bass (Sarah).

Young artist’s rendering of Paul and I from a house concert in Koln, Germany.

Berlin House Concert with Paul Tiernan - 2022

Above: Last train on the 2022 European Tour with Paul Tiernan. When on tour with Paul, we travel by train. My European bass is named Christine and she is a 1950’s era Czech bass that belongs to good friends in Bochum (who graciously let me take her out for two weeks each year). Here I’m headed to Werl on a local train after transferring from the longer ICE train. Our final show is always at the home of our good friend Lutz, who always packs his house with 50+ people on a Monday night!

Right: Sarah backstage at Hopmonk Novato in 2022 (before opening set for Charlie Hunter)

The late-great Rick Turner working on my half-fretted/half-fretless 6 string bass/guitar. Rick founded Alembic and built basses for Stanley Clark, Phil Lesh, and John McVie as well as guitars for Lindsey Buckingham, Jerry Garcia, and David Crosby. It’s a modification of his Renaissance line of guitars and basses.

I asked Rick for instrument with two outputs: one for the high strings and one for the low strings. Each with separate preamps and outputs to be sent to different channels of my rig. The top three guitar and the bottom three bass. Here you can see the twin piezo pickups in the bridge before the split saddles are put on.

It was Rick’s idea to make the top three strings have frets (for guitar chords) and the bottom three fretless bass (to sound like an upright bass). At first I was very reluctant to have a half fretless instrument as technique for fretless bass and fretted guitar are quite different. Rick was very excited about this as a project. I gave him a deposit…and hoped I’d be able to play it!

My first time with the finished custom instrument in Ricks shop. It was surprisingly logical and I was able to play chords and fretless bass lines almost immediately though my technique considerably over the years. After Rick’s passing in 2022, I named the instrument “Rikki” using the gender neutral spelling for the instruments nonbinary feel. I string it EAD-GCF. Santa Cruz - 2018

“Fathers Day at the Freight” - Father’s Day double bill with songwriter Steve Seskin. My son Kai sat in on vocals for “Real Real Love” from the “Fathers and Sons” album, which had just been released. Berkeley, CA - 2017

With Tim Bulkley (drums) and Paul Tiernan (guitar) at Angelicas, Redwood City, CA 2016

Microphone Shootout! When booking an album project at 25th Street Recording in Oakland in 2015, the studio gave me a session to try their vocal mics before deciding which to use for your project. This lineup of vintage mics contains a number of microphones considered to be the “Holy Grail” list of coveted vocal mics. Values ranging from about $3,000 to over $25,000 each! From left to right: Neuman M49, two Elam 251’s, AKG C12, Neuman U87, and a Neuman U47. Though I have used Elams (on the “Jazz?” album in London and NYC) and a U47 (on “So Many Reasons” in Amsterdam), the C12 was the winner here for me. I also used a C24 (not pictured) which is a stereo version of the C12.

Sound engineer Michael Rosen at the helm of 25th Street Recording. “Fathers and Sons” sessions. Oakland, CA - 2015

Tim Bulkey - “Fathers and Sons” sessions (Elam 251’s as overhead mics - Oakland, CA - 2015

Sarah and I at “Fathers and Sons” sessions. Pictured with C24 vocal mic, Brauer bass mic, and a Neuman KM84 wedged in Sarah’s bridge. We also recorded a DI thorough my Acoustic Image preamp.

Paul Tiernan “Fathers and Sons” sessions. This Willy Carter guitar was loaned to paul by Bay Area guitarist Rick Vandivier both for live shows before the sessions and for recording. Wonderful instrument. It got the Neuman U47.

Playing with Gretchen Peters and Barry Walsh for Gretchen’s “Hello Cruel World” album launch in NYC - 2013

I met Gretchen when she was a guest songwriter/presenter at the West Coast Songwriters Conference in Los Altos, California back in 1999. I had won the song-of-the-year award that year and was featured at the conference’s Sunset concert along with other award winners and guests. I had a great performance and received a standing ovation for my two-song set. Gretchen’s manager gave me his card afterwards and invited me to visit them in Nashville if I was ever there. I later took the opportunity to fly to Nashville and afterwards worked with her there once for a radio show. I moved to Europe in 2001 and in 2004 when Gretchen needed a bassist for a UK/Ireland Tour she hired me and also gave me the opening act slot. It was my first of three European tours and a lasting friendship with Gretchen and Barry. I loved playing bass on her music and had both Gretchen and Barry play on my song “The Beautiful Princess of Never Come True”.

With Tim Bulkley (drums) and Joel Frahm (sax) at The Living Room, NYC - 2013

Above: Randy Merrill mastering the “Jazz?” album in NYC in 2012. Randy would go on to win multiple Grammy’s for sound mastering with Adele, Harry Styles, Olivia Rodrigo, and more. Randy also mastered “Fathers and Sons” for me in 2017 though his rates had definitely gone up!

Left: My first bass guitar that I bought new at the age of 14 in 1974, up for sale at Manny’s Music in NYC. A ‘74 Fender Jazz Bass. As a teenage I modified the bass by adding a third pickup in between the two stock pickups. The wood was routed out to make room for it. I didn’t know at the time that I would be destroying it as a collectors item as older fender basses are now highly sought after. Sounded good though!

John Lester “Jazz?” Quartet with Steve Lodder (piano), Theo Travis (sax), and Davide Giovaninni (drums). 606 Club, London 2010

Backstage with Jules Holland after playing an opening set for his big band. Elysee Monmarte, Paris - 2006

Paulo Baldi recording percussion for the “So So many Reasons” album. Berkeley 2005

Sarah gets a ride in Amsterdam - 2006

Van Gogh Museum Friday Night Music Series - 2005 Support set for Patty Smith

Van Gogh Museum Friday Night Music Series - 2005 Sitting in with Patty Smith Band on her encore

Larmer Tree Festival, Dorset England - 2005

Schwerte, Germany - 2005

Opening set on my first UK/Ireland tour with Gretchen Peters. Bush Hall, London - 2004